Luis Jimenez, Mustang, cast fibreglass, Denver International Airport, image from Denver's Public Art Program
Some years ago, I visited a friend who worked at the Govett-Brewster Art Gallery in New Plymouth. In my friend's office, there was a hand-lettered notice. It read: "Things to do in New Plymouth. 1. Visit the Govett-Brewster Art Gallery. 2. Check on bus times."
I'm not certain whether that's still accurate -- you'd add Len Lye's Wind Wand to the list at least now -- but it's always summed up to me both the loneliness and the precariousness of "serious" art institutions out in the provinces, existing away from a critical mass of readymade constituents as well as the kind of big city infrastructure that enables visitation. I suspect of all the provincial art institutions, it's only the Govett-Brewster Art Gallery that now attracts out-of-town visitors in anything but negligible numbers: visitors, that is, who've travelled to the town expressly to see something on at the gallery.
Small children have pretty much put paid to any ideas I might once have had of jumping into the car and driving hundreds of miles to see an art exhibition: but if I am truthful, it was never high on the agenda. It took a very, very good show indeed to ever persuade me to leave the city limits. Once you've made the trip to a provincial town, seen an exhibition and had a cup of coffee, what next? Wander about a bit trying in vain to find a bookshop, then drive home again, in my experience. More fun just to have a lie-in and read about it later on the internet.
Danny Birchall, Govett-Brewster Art Gallery, from Flickr
I'm interested, though, in what I've been reading about the increasingly energetic public art programme in Denver, Colorado (the New Plymouth of the Western Bible belt?), which seems to involve the fabrication of quite a lot of "big things" in response to the outsized spaces of the American West -- including Big Sweep by Coosje van Bruggen and Claes Oldenburg outside the Denver Art Museum. Rather than replicating what other cities are doing, the people of Denver have determined that there will be a certain distinctive sensibility about their public sculpture (NZ cities take note). The Denver signature is apparently "the intersection of kitsch and big-thought art". Which sounds quite appealing, though I trust there are no large carrots or whopper gumboots involved. With the Clyfford Still Museum opening in 2010, sounds like Denver might well be worth a visit ... or perhaps I'll just read about it on the internet, like usual.
Coosje van Bruggen and Claes Oldenburg, Big Sweep. Photo by Kevin Moloney for The New York Times